An intriguing puzzle from Hob today.
It was only when writing up the blog that we realised there was a theme…. But the thematic references are in the clues, not the solutions!!
We were puzzled by the strangely worded ‘titles’ in the clues to 5D, 17D and 19D, which were fundamental to either the wordplay or the definition. When we googled one of these, we realised that they are works by the same very famous surrealist artist (whose name appears in anagram form at 23D), and works that we instantly recognised, despite not remembering their titles. All very surreal!
Across | ||
9 | Repeats “No bad language” | |
ESPERANTO | An anagram of REPEATS NO – anagrind is ‘bad’ | |
10 | Swimmers that fly with a small number on board | |
SWANS | W (with) A N (‘small number’) in SS (steamship), or ‘on board’ | |
11 | Hob needs help in getting prepared for burial | |
LAID OUT | LOUT (hob – a new one on us!) with AID (help) inside | |
12 | Topless show, with boobs endlessly out – it shows some neck | |
GIRAFFE | ||
13 | Surrealistic? He’s totally in that box | |
CHEST | Hidden in ‘surrealistiC HE’S Totally’ | |
14 | Gets involved in complications if folk-jazz band’s dropping piano intro | |
ENTANGLES | ||
16 | Treats with element of suspicion, essentially | |
IODISES | We puzzled over the parsing of this one for some time, but think it must be that ‘I’ is the middle letter or ‘essence’ of ‘suspIcion’, and is also the symbol for the element Iodine | |
18 | Mental nurse in state about Churchill? | |
INSURER | An anagram of NURSE (anagrind is ‘mental’) in RI (Rhode Island – US state) reversed or ‘about’ – Oh, yes!! | |
20 | Moving fast as Lassie, bounding along | |
GALLOPING | GAL (Lassie) + LOPING (bounding along) | |
22 | Surround source of sugar, surrounded by source of sugar | |
BESET | S (first letter or ‘source’ of Sugar) in or ‘surrounded by’ BEET (a source of sugar) | |
23 | Happy, perhaps, before party leader’s made to look small | |
DWARFED | DWARF (Happy was one of the seven in the Snow White story) + ED (Miliband – Labour Party leader) | |
24 | Hot food that’s eaten at home round about noon | |
BURNING | GRUB (food) round or ‘eating’ IN (at home) reversed or ‘round’ about N (noon) | |
25 | Stroke some gigantic tusks | |
ICTUS | Hidden in, or ‘some’ of ‘gigantIC TUSks’ | |
26 | Lethe? Snap out of it, maybe they’ll never be 5 | |
ELEPHANTS | An anagram of LETHE SNAP – anagrind is ‘out of it’. Elephants are supposed not to forget – hence the reference to 5D | |
Down | ||
1 | Thinking the French court needs to get flipping finger out | |
REFLECTING | LE (French for ‘the’) CT (court) with an anagram of FINGER (anagrind is ‘flipping’) outside | |
2 | Bit of a shock, damaged lips getting treated by nurse | |
SPLIT END | An anagram of LIPS (anagrind is ‘getting treated’) + TEND (nurse) | |
3 | Put fork into fish sample | |
TRY OUT | Y (fork, as in a diagram for a junction, say) in TROUT (fish) | |
4 | Newspaper in topless tabloid model’s hand? | |
UNIT | I (newspaper) in |
|
5 | Fake that initially can lead to gallery not showing “The Persistence of Memory” | |
FORGETTING | FORGE (fake) + T (first or ‘initial’ letter of ‘that’) + TIN (can) + G (first letter or ‘lead’ of ‘gallery’) | |
6 | Leaders of gang sporting top jewellery? One of them must be on the fiddle | |
G STRINGS | G S T(first letters or ‘leaders’ of ‘gang sporting top’) + RINGS (jewellery) | |
7 | Crying? No time for reprimand | |
EARFUL | ||
8 | Frenchwoman’s S & M set-up | |
ESME | ES (the letter S) + EM (the letter M) reversed or ‘set up’ | |
14 | Starting exile in Saint-Denis, desperately missing one northern part of Asia | |
EAST INDIES | E (first eltter or ‘start’ of ‘exile’) + an anagram of SAINT DE |
|
15 | Call girl up, one into herself not love – after a bit of sex, in general? | |
STRATEGIST | TART (call girl) reversed or ‘up’ + EG |
|
17 | “Soft Construction with Boiled Beans”? Not adult enough for gathering of stuck-up people | |
SNOB FEST | An anagram of SOFT and BE |
|
19 | “Metamorphosis of Narcissus”, lacking a bit of colour in what once were reds? | |
RUSSIANS | An anagram of NAR |
|
21 | Advanced in slowly, or fast, with nothing shed | |
LEAN-TO | A (advanced) in LENTO (slowly, in music) or in LENT (fast) with O (nothing) – two stabs at this one! | |
22 | Girl drunk in the bar | |
BERTHA | An anagram of THE BAR – anagrind is ‘drunk’ | |
23 | 11 in Dublin house | |
DAIL | An anagram of LAID (from 11AC) – anagrind is ‘out’, also from 11AC. This is also an anagram of the thematic Artist | |
24 | Second letter – second part of official complaint | |
BEEF | BEE (‘B’ – second letter of the alphabet) + F (second letter of ‘official’) | |
I’m not convinced about the parsing of 8. EM backwards would be ME, which doesn’t seem much like a phonetic version of the letter M.
I found this easier than other HOBs I’ve done, but still had to puzzle for a long time over clues like 16. I liked 21 with its multiple ways of getting at the answer.
@1
I don’t see the relevance. Why would ME need to be “like a phonetic version of the letter M”? The parsing (Es forwards, Em backwards – as in the blog) seems straightforward.
Well, I’m glad somebody understood this, because I certainly didn’t! Congratulations and much thanks, PETO.
I did complete the puzzle except for the first letter of 4D. I didn’t understand the clue at all, and still don’t. Why is a hand synonymous with a unit? I guessed at “knit”, as though the clue was asking if something was hand-knit.
For 8D Esme, why is Esme peculiarly French? It is not uncommon in English names. But ME backwards is EM, “m”, which is set up in the answer, so, NealH, I think you have the wrong end of the stick at comment 1 above.
For 16A iodises, I’m still puzzled. PETO correctly points out that the essence of suspicion is I, iodine, but why should “of iodine” imply “iodises”?
For 21D lean-to I initially wrote “lent to”, thinking the definition “advanced” and that “or fast” implied “lent, too” and that “nothing shed” meant I had to drop the terminal “o”. I wrote that in entirely confidently only to have to correct it.
In total, I didn’t fully understand 11 clues in this puzzle, despite managing to complete it bar one letter.
Thanks very much, PETO, for explaining 15D strategist, which I stared at for ages. My first guess at an answer which fitted the crossing letters I had at the time was “smuttininess”, which I thought might have something to do with sex in a general, General Smuts. I had to tear that out too.
Hob, thanks very much for a diversion too clever for me by half!
Emrys,
A hand is a unit of measure (clued with a question mark to imply it’s an example rather than a definition).
For iodises, the definition is “treats with element” i.e. change something by applying the element Iodine to it.
Ah! Thank you, NealH, it’s a hand! I’m looking out of the window at the horse in the distance and still not understanding the clue!
But on 16A iodises, yes, I realised that the definition is “treats with element”, so I wrote in “iodises” from the crossing letters. The remainder of the clue is “of suspicion, essentially”. PETO points out that I, iodine, is suspicion essentially. But I still don’t see why “of iodine”, “of suspicion essentially”, should imply “iodises”. Is this some sort of CD? No, it’s not a CD, because it has an explicit and exact definition, “treats with element”, in the clue. Perhaps I’m meant to ignore that definition and treat the whole clue as a CD? But, anyway, it’s the only possible word that fits the crossing letters, so I’m not going to quibble further.
I think 16A does work as a CD – “treats with element of suspicion essentially” = “treats with the element that is found in the middle of suspicion” = treats with Iodine.
A good mental workout from Hob. I think the clue for IODISES is pretty clever and Emrys is overthinking it, IMHO of course. UNIT and BEEF were my last two in. I like Dali’s work but don’t know the titles of his paintings so the theme was lost on me.
Emrys, a hand is the unit of measure of a horse’s height, equal to 4 ins.
Well, I got most of it out, merely finding the endings of words in clues a bit tricky (14, 18, 1d) and enjoyed it otherwise . Thanks to both.
Thanks Hob and Bertandjoyce. I enjoyed it all and the whole thing had a very inventive feel.
The theme continues into the answers as well – we have The Burning Giraffe and Swans Reflecting Elephants both present in the grid.
Emrys: I have some of the same reservations about some of the clues, but I think you’ve read Peto, setter of today’s FT puzzle as the blogger for this puzzle. Actually it’s the duo of Bertandjoyce.
Apologies to Bertandjoyce – must put glasses on!
No worries Emrys – we’ve been out all morning but did wonder what was happening when we checked the comments. Thanks allan_c for explaining it.
Thanks also to Cyborg for the extra thematic entries.
Bertandjoyce, could I make a tiny request please? In future don’t mention that there’s a theme in a puzzle in the bit of your blog that’s visible before selecting it. It’s rather easy to notice if you come here to view another puzzle before solving. Thank you.
Humble apologies sidey. We are normally very careful about that but we both failed to notice it. Blog now amended.
The theme passed me by (what’s new?) but mostly I liked this one. IODISE is a bit convoluted, and I’m not entirely sure that ESME is a particularly French name. But there were some good clues elsewhere.
Getting a mention for THE PENTANGLE was a plus, since they’re one of my favourite groups. I had a wee next to Bert Jansch in 1976.
Thanks all three.
The section on first names in Chambers gives Esme (as well as Esmé and Esmée) as being French.
Thanks Bertandjoyce.
Well, I found this quite tough, although in the end I only need to do a word search for 16ac, which I couldn’t parse. Actually, there were a lot I couldn’t parse, so thanks for the explanations.
No, I didn’t see the theme. Keep the Giraffe Burning was a collection of short stories by the SF author John Sladek, by the way, which incidentally had a story in it called Elephant with a Wooden Leg.
I thought this was a faultless puzzle (and not too tricky IMO). Thank you, Hob, you lout!
As for blog – I think it’s tremendous, definitely worth at least 10 out of 10! (a little surprised by one or two comments – I thought your explanation of ESME extremely clear)
Many thanks to Bs and S.
The last row reads “L O T S F A S T”.
Is that connected to the Dali theme? Or I’m one who is excluded by inference (Lots fast, Others are Slow).