Inquisitor 1653: Lemon Time by Triton

Triton returns to a previous character when his friend, the setter Andy Lemon, is kidnapped again.  Andy first appeared in Inquisitor 1579 in February last year.  In that blog, Ken Mackenzie noted that Andy Lemon is an anagram of Don Manley one of the doyens of crosswords setting.

 

 

 

The preamble stated: "Setter Andy Lemon has again been kidnapped, this time while on a world tour. In this puzzle that has reached me, seven clues lack definitions – the answers indicate what Andy has been given to eat, drink, wear, sleep on, read, watch and play. For each across clue the last letter of the solution provides an index into the clue itself (A=take first letter of clue, B=take second letter etc). The letters thus obtained spell out Andy’s description of those holding him, based on which solvers must position him in the grid. Doing this will reveal a two-word phrase, which must be highlighted, indicating what he expects his captors to do next. All grid entries are real words"

Setters are always looking for new ways to generate messages from the clues or entries.  This puzzle has a method that I have not encountered before.  Solvers have to get the answers to the clues before they can determine the letters to select from the clues.

There is no obvious indication where the seven entries without a definition in the clue are located, so it was a question of working through the clues to identify what was happening where.  After a time it became obvious that all the clues without definition were leading to words relevant to Japan.

 

In normal clue order we had:

SAKI (15 across) – what Andy was given to drink;

SHOGI (16 across) – what he was given to play;

SOBA (38 across) – his food;

GETA (42 across) – what he wore;

FUTON (3 down) – what he slept on;

WAKA (9 down) – what he read; and

ANIME (19 down) – what he watched

The message built up fairly slowly until just over half way through when the framework of VERY WICKED EASTERN CHAPS became apparent and was obviously relevant to the undefined entries.

Completing the message indicated the last letters of some unsolved clues which made completing the grid a bit easier.

A search of the grid yielded a potential hiding place in row 11 beginning SO BAD (very wicked).  Indeed, closer study revealed SO BAD E (eastern) MEN (chaps) surrounding a four letter spread that could be replaced by ANDY such that we would have ANDY ‘held by’ SO BAD E MEN to form SO BAD E M ANDY EN, thereby generating the two word phrase ‘DEMAND YEN‘ which is what ANDY expects to be his captors’ intention to do next.

The new words formed by inserting ANDY are DEMAND at 39 across, YEN at 40 across, CONNATE at 27 down, CANER at 32 down and TOYED at 33 down.  All of these are words that can be found in Chambers.

I found the most difficult clue to parse was the first one for  FRAMEWORK.  I finally sussed it out after I had initially written the blog saying I couldn’t fathom it.

The first grid below shows the position after the solved.  The second grid shows ANDY being held, along with the two word phrase denoting what the captors will do next.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The title LEMON TIME clearly relates to ANDY LEMON‘s TIME in captivity.

No Clue Wordplay Entry Letter / Letter
Across
3

Outline drive to stop rare bird leaving strait (9)

(RAM [drive] contained in [to stop] FEW [rare]) + STORK (type of bird) excluding (leaving) ST (strait)

F (RAM) EW ORK

FRAMEWORK (outline) K (11) = V
11

Lily Allen’s opening drink (4)

A (first letter of [opening] ALLEN) + RUM (an alcoholic drink)

A RUM

ARUM (reference the ARUM lily) M (13) = E
12

Left one bitten by domestic rabbit to calm down (5)

(L [left] + A [one]) contained in (bitten by) REX (type of domestic rabbit)

RE (L A) X

RELAX (become less tense; calm down) X (24) = R
13

Was artist’s model dumpy? No question! (3)

SQUAT (dumpy) excluding (no) QU (question)

SAT

SAT (posed for an artist; was artist’s model)

T (20) = Y
14

Miss West taking a chance about dress (6)

MAE (reference MAE West [1893 – 1980, American actress]) containing (taking) RUN (chance) reversed (about)

MA (NUR<) E

MANURE (dress with fertiliser) E (5) = W
15

Not enjoying play on words, fans turned against this newspaper (4)

PUNKAS (palm-leaf fans) excluding (not enjoying) PUN (play on words) reversed (turned) + I (the newspaper in which the Inquisitor puzzle is published)

SAK< I

SAKI – no definition, but signifying what Andy  was given to drink. SAKI is a Japanese alcoholic drink made from fermented rice.

I (9) = I
16

Repair back boards large vessel clipped (5)

GO (repair, as in to pair [to take oneself to or go to]) reversed (back) contained in (boards) SHIP (large vessel) excluding the final letter (clipped) P

SH (OG<) I

SHOGI – no definition, but signifying what Andy was given to play.  SHOGI is a Japanese form of chess. I (9) = C
17

Radical thinker’s term for dull Blairite needing personal magnetism badly (7)

L [last letter of [term for; terminal letter of] DULL) + an anagram of (badly)  BLAIRITE excluding (needing) IT (personal magnetism)

L IBERAL*

LIBERAL (radical thinker) L (12) = K
18

Priceless gold toilet rolls in rubbish bin Liberace emptied (10)

([AU {chemical symbol for gold} + LAV {toilet}] all reversed [rolls] and contained in [in] an anagram of [rubbish] BIN) + LE (letters remaining in LIBERACE when the central letters IBERAC are removed (emptied)

IN (VAL UA)< B* LE

INVALUABLE (priceless) E (5) = E
21

Plenty will keep a pig for the dining table (8)

MANY (plenty) containing (will keep) + AHOG (pig)

M (A HOG) ANY

MAHOGANY (wood for furniture. e.g. for dining tables) Y (25) = D
25

Small number trespass when returning after university concert (6)

U (university) + (NO [abbreviation for {small} number] + SIN [trespass]) all reversed (returning)

U (NIS ON)<

UNISON (complete agreement; in concert) N (14) = E
27

Nearly snap, boxing Young Conservative in a ring (6)

CLICK (snap [into place]) excluding the final letter (nearly) K containing (boxing) YC (Young Conservatives)

C (YC) LIC

CYCLIC (arranged in a ring) C (3) = A
29

Holds back nurse in case of sickness (8)

MOTHER (care; nurse) contained in SS (first and last letters of [case of] SICKNESS)

S (MOTHER) S

SMOTHERS (suppresses; holds back) S (19) = S
31

Scent is sprayed around close to me by popular demand (10)

IN (popular) + (an anagram of [sprayed] SCENT IS containing [around] E [last letter of {close to} ME])

IN SIST (E) NCE*

INSISTENCE (demand) E (5) = T
34

Fluid leaks from vessel that is beginning to show distress (7)

FLAGON (vessel) excluding (leaks from) FL (fluid) + IE (id est; that is) + S (first letter of [beginning to] SHOW)

AGON IE S

AGONIES (distress) S (19) = E
37

Daughter repeatedly forbidden to serve evil-smelling dressing (5)

AID (serve) excluding (forbidden) D (daughter) + OLID (evil-smelling) excluding (forbidden) D (daughter).  We therefore have daughter repeatedly forbidden

AI OLI

AIOLI (garlic-flavoured mayonnaise; dressing) I (9) = R
38

Name eschewed by townsman in Cambridge area (4)

SNOB (a townsman in Cambridge University slang) excluding (eschewed by) N (name) + A (area)

SOB A

SOBA – no definition, but signifying what Andy was given to eat.  In Japanese cookery, SOBA is a thin noodle made from buckwheat flour. A (1) = N
39

Reduce status of ardent mademoiselle surrendering virtue primarily for money (6)

VOTE (the French female [mademoiselle] form of DEVOTEE [someone strongly and consistently interested in something; ardent person]) with V (first letter of [primarily] VIRTUE) surrendering its place to M (money)

DEMOTE

DEMOTE (reduce status of) E (5) = C
40

Parker, say, and chauffeur’s mistress wanting to run away together (3)

PENELOPE (reference Lady PENELOPE and her chauffeur PARKER from the animated science fiction television programme Thunderbirds) excluding (wanting) ELOPE (run away)

PEN

PEN (The PARKER company makes fountains PENs and ballpoint PENs) N (14) = H
41

Not hard abstaining from sex in class (5)

CHASTE (abstaining from sex) excluding (not) H (hard when describing pencil lead)

CASTE

CASTE (class) E (5) = A
42

Perhaps what you do by abbreviating answer as far as possible (4)

GET A (if you abbreviate answer to its minimum form you GET the letter A)

GET A

GETA – no definition, but signifying what Andy was given to wear.  a GETA is a Japanese wooden sandal with a thong between the big toe and the other toes.

A (1) = P
43

Person carrying large quantity of timber is held up (9)

BOD (person) containing (carrying) (L [large] + STERE [measure of timber, about 35.3 cubic feet])

BO (L STERE) D

BOLSTERED (held up) D (4) = S
Down
1

What makes old man’s mobile identifiable everywhere (6)

PA’S (father’s; old man’s) + SIM (removable electronic card inside a mobile phone that stores information about the subscriber. What makes mobile identifiable)

PAS SIM

PASSIM (everywhere)  
2

Priests first to help staff restricted by undergarments (8)

(H [initial letter of [first to] HELP + MAN [staff]) contained in (restricted by) BRAS (undergarments)

BRA (H MAN) S

BRAHMANS (members of the priestly class of Hindus)  
3

Pointless taking hat out before November (5)

FUTILE (pointless) excluding (taking … out) TILE (type of hat) + TO (before) + N (November is the international radio communication codeword for the letter N)

FU TO N

FUTON – no definition, but signifying what Andy was given to sleep on. A FUTON is a type of sofa bed of Japanese design, a simple low frame with a mattress laid loosely on top; more properly, the mattress alone.

 
4

Falls headlong, pulling artist over (5)

NIAGARA (reference NIAGARA Falls) excluding (pulling) RA (Royal Academician; artist) and then reversed (headlong)

AGAIN<

AGAIN (once more; over)  
5

Skirt foremost detachment of troops in vehicle (7)

MINI (type of skirt) + VAN (VANguard [foremost detachment of troops])

MINI VAN

MINIVAN (vehicle)  
6

Dose of flu – lethargic, laid up for a month (4)

ELUL (hidden word (dose of) reversed (laid up; down clue) in FLU LETHARGIC)

ELUL<

ELUL (the 12th month of the Jewish civil year, and 6th of the ecclesiastical)

 
7

Railway bar accepted plastic with suspicion (6)

Anagram of (plastic) RAILWAY excluding (bar) A (accepted)

WARILY*

WARILY (with suspicion)  
8

Investigation concerning European entered in pole vault (8)

RE (with reference to; concerning) + (E [European] contained in [in] (S [South {Pole}] + ARCH [vault])

RE S (E) ARCH

RESEARCH (investigation)  
9

Sometimes called after women (4)

W (women) + AKA (also known as; sometimes called)

W AKA

WAKA – no definition, but signifying what Andy was given to read.  One definition of WAKA is a Japanese 31-syllable poem, a precursor of the haiku)

 
10

Finally, backstage team ushered cast out (6)

E (last letter of [finally] BACKSTAGE) + XI (Roman numerals for eleven; team) + LED (ushered)

E XI LED

EXILED (banished; cast out)  
12

Inter again take on English football club from north-west (6)

RE (with reference to; on) + BURY (football club in the North West of England, currently in serious financial trouble and not part of any League)

RE BURY

REBURY (inter again)  
19

In the interval firing me and (later on) tenor (5)

MEANTIME (in the interval) excluding (firing) ME at the beginning of the word and T (tenor) further along the word (later on)

ANIME

ANIME – no definition, but signifying what Andy was given to watch.  ANIME is a style of animated film or television programme, originating in Japan, featuring futuristic stories with explicit content.

 
20

Group of turtles able to transform (4)

Anagram of (to transform) ABLE

BALE*

BALE (group of turtles)  
22

Urgently whisper that man’s having ‘special’ piercing (4)

S (special) contained in (piercing) HIS (that man’s)

HI (S) S

HISS (to utter in an urgent or angry whisper)

 
23

Isn’t too bothered about a phrase getting regularly repeated (8)

Anagram of (bothered) ISN’T TOO containing (about) A

OSTIN (A) TO*

OSTINATO (ground-bass [a bass part constantly repeated with varying melody and harmony])

 
24

Rings enchanting woman, arresting Latin temptress on vacation (8)

(CIRCE [in Greek legend, a beautiful sorceress; enchanting woman] containing [arresting] L [Latin]) + TS (letters remaining when the central letters EMPTRES are removed from [on vacation] TEMPTRESS)

CIRC (L) E TS

CIRCLETS (rings)  
26

Puritan’s seen starting couple off in a permitted position (6)

IRONSIDE (Puritan) excluding (off) the first two letters (starting couple) IR

ONSIDE

ONSIDE (permitted position in some sports, such as football, hockey or rugby)  
27

Suggest companion, striking sort with distinguishing mark on bottom (7)

CONSORT (companion) excluding (striking) SORT + NOTE (distinguishing mark).  As this is a down entry, NOTE is at the bottom.

CON NOTE

CONNOTE (signify or suggest)  
28

Mess about, breaking sofa I fancy (6)

C (circa; about) contained in (breaking) an anagram of (fancy) SOFA I

FIAS (C) O

FIASCO (mess)  
29

Horses regularly used, decentish mounts (6)

STEEDS (letters 2, 4, 6, 8, 10 and 12 [regularly] USED DECENTISH) reversed (mounts; down clue)

STEEDS<

STEEDS (horses)  
30

Short car trip with a learner in the back (6)

SPIN (short car trip) + A + L (learner)

SPIN A L

SPINAL (of the backbone)  
32

Provide grub man shuns (5)

CATERPILLAR (butterfly or moth grub) excluding (shuns) PILLAR (someone who sustains, e.g. a PILLAR of society; man)

CATER

CATER (provide, food or entertainment usually)  
33

Obliged to get work for one indulged excessively (5)

TIED (obliged) with OP (opus; work) replacing (for) I (Roman numeral for one)

TOPED

TOPED (drank hard and excessively)  
35

Mouth off after forgetting bees sting (4)

GOB (mouth) + BAD (rotten; off) excluding (forgetting) both letter Bs (bees)

GO AD

GOAD (provoke; irritate; sting)  
36

Coarse language essential when promoting Sabbath (4)

MUST (essential) with the letter S raised (promoted) up this down entry to form SMUT

SMUT

SMUT (obscene or coarse language)  

 

25 comments on “Inquisitor 1653: Lemon Time by Triton”


  1. I spent most of my solving time trying to justify SOBA, and only did so on the basis of the thematic stuff having failed miserably to parse it, based on it being a likely Japanese food and the first part of VERY WICKED. To further compound my problems I couldn’t for the life of me find the CHAPS bit, and only finished based on a hunch that I’d be looking for a ransom DEMAND. Not my finest hour. My Inquisitor solves at the moment seem to be 10% grid fill and 90% staring at the grid trying to work out what to do about the end game!

  2. kenmac

    I never noticed the SO BAD, etc. so when I did solve it , through trial-and-error, I was left a little deflated.

    Having noticed the reappearance of ANDY LEMON, I went to the previous puzzle (Inqusitor 1579) to see if anything jumped out. Boy, the bloke who blogged that was a bit grumpy, wasn’t he?

    In the end, it was fairly satisfying but more so for seeing the SO BAD stuff.

    Thanks to Triton and Duncanshiell.

  3. Howard L

    I completed the grid with no more than the usual difficulty (which is to say quite a bit) and saw SO BAD E as a likely place to look for the hostage. However, after quite a bit of grid staring I dismissed it as just a coincidence as I couldn’t see any way of fitting ANDY LEMON into the surrounding cells. After two days more of grid staring I realised that there was nowhere in the grid which could accommodate ANDY LEMON and it was only then that I could make the leap of imagination to look for placing just ANDY into the grid. Identification of the correct location soon followed. There was a hint in the preamble that only ANDY need be placed in the grid, but I still feel a bit aggrieved by the misdirection.

    Thanks anyway to Triton and to Duncan for the blog

  4. cruciverbophile

    I enjoyed Andy’s reappearance, despite taking an inordinate amount of time to find him (and the enclosing SO BAD E MEN). I did feel that there was a disproportionately high number of clues which required us to take fragments off longer words to get the answer. I’ve no problem with this type of clue device but I believe that it’s better if used sparingly.

  5. Neil Hunter

    I agree with cruciverbophile@4; this had a higher than normal number of solutions that I could not parse, almost all of the type he describes (flagon, futile, ironside, caterpillar). Another answer I failed to pass at 38a was ‘soya’. Yes, OK, it was also wrong, but it was only one mystery among several. Naturally that crippled my search for wickedness in the grid; but I seem to be more of a ready quitter than Jon_S@1 or Howard L@3, so didn’t expend too much time on it.

    Thanks to Duncanshiell and Triton.

  6. Phil K

    A pleasant fill. Wasted some time trying to convince myself that the good folk of Soham could be referred to as Soyans before checking the dictionary entry for snob. Then wasted a lot more time trying to find the yakuza who had imprisoned Mr Lemon but to no avail…such criminal organisations are notoriously discreet. The revelation that I was just looking for some BAD E MEN was a little deflating.

    Thanks to setter and blogger.

  7. Alan B

    This is my third Triton, and after doing rather badly in my first two encounters I was keen to do better with this one. In the event, I managed to fill the grid with a final tally of only two guesses (unparsed solutions) – a good performance for a Triton puzzle.  I enjoyed most of the clues, some of which I found tough.

    I identified the seven items, leading me to Japan, and formed a complete message from letters collected from the across clues.  But I needed to read the setter’s mind to know what to do next, and I was unable to carry out the remaining instructions.

    I liked the way that letters were picked from the clues after solving – a device that I haven’t come across before. In some cases the letter could be picked before solving the clue, thereby helping with the solution.

    Thanks to Triton for a challenging puzzle, only the last part of which was unresolvable. And thanks to Duncan for the blog.

    Like cruciverbophile, I noted that Triton likes using subtractions of more than one letter in wordplay.  There were 9 such instances, the two biggest being PILLAR (to make CATER) and ELOPE (to make PEN).  I remember this characteristic from the previous Andy Lemon puzzle.  I welcome this kind of device in moderation, as it tends to make a tricky clue a tad trickier.

  8. Quixote

    I missed te first Andy Lemon puzzle, but knew the anagram of my name because some bright spark sugeested it years ago ( who was i? was it our setter?). I didn’t care for the idea of being kidnapped but I did enjoy the puzzle

  9. copmus

    Well I thought Andy (or Don) wouldnt have minded a bit of FETA but I dont suppose it was available in the circs

    I seem to remember filling the grid  but thats the easy bit   so thanks for great blog and thanks  Don for popping in

  10. Bingybing

    @Howard L – I’m entirely with you. The preamble naturally leads one to assume ‘ANDY LEMON’ had to be placed in the grid and for that reason I needed a nudge from a fellow solver to confirm otherwise. The ‘LEMON’ bit is utterly irrelevant to the puzzle so ‘aggrieved’ pretty much sums up how I felt too.

  11. NNI

    Having completed the grid, I had difficulty trying to place ANDY LEMON in the grid. So I concentrated only on the letter Y, and went slowly through the grid until I realised PEN could become YEN and DEMOTE would become DEMAND. Job done. It was only later on that I went back to the grid and spotted SO BAD E MEN. It was like failing to spot an obvious theme which everyone else could clearly see.

  12. NormanJL

    I needed a hefty nudge from a couple of kind souls to reveal the endgame, and even then I couldn’t understand it until it was re-explained slowly using short words. I too was very disappointed that there were no Yakuza holding him captive, and that Lemon had absolutely nothing to do with the puzzle. So bad E men, eh. Harrumph.

  13. Triton

    Thanks to Duncan for the non-grumpy 🙂 blog, to Jon likewise, and to all who have taken the time to comment.

    In my puzzles I try to keep the unch count low, to include as few obscure solutions as possible, and to avoid gimmicks that distort the clues. Because of this, I feel that it’s appropriate to compensate to some extent by making my clues reasonably tough, hence the repeated use of the ‘take one indicated word from another’ device. I particularly wanted to ensure that the wordplays for the undefined entries were sufficiently tricky that the Japanese ‘game’ would not be given away from the outset; however, in the light of solvers’ comments I realize that I should have made the clue for SOBA a little easier, given the potential ambiguity with SOYA and the importance of the correct entry in the endgame. Apologies to those who struggled with that one.

    I remain largely unrepentant regarding the accommodation of Andy. I did consider saying that the message gave “a cryptic description of the characters holding Andy”, but I felt that since Andy is a cryptic crossword setter it would be reasonable to assume that “Andy’s description of those holding him” would itself be mildly cryptic. It was my intention that interpreting the message would be a key stage in the solving process, and that solvers who located the SO BAD E MEN in the grid would discover them ‘holding’ exactly four cells, into which ANDY would fit snugly. I’m sorry that some of you felt aggrieved, and perhaps the alternative preamble wording would have helped, but I do feel that the puzzle was still solvable through the ‘front door’.

    And I promise that I will try to ensure that Andy is not kidnapped again. Ever.

  14. HolyGhost

    I’m another who thought the use of  ‘take one indicated word from another’ was excessive; and I don’t count cases where the removal is a standard and commonly used abbreviation such as N(ame), S(pecial), FL(uid), ST(rait). Nevertheless, thanks for the puzzle, Triton.

    I did look for PASCHE – anagram (“so bad”) of E(astern) CHAPS but that made no sense – and while scanning the grid I found the ANDY replacement revealing DEMAND YEN, so I never noticed the SO BAD E MEN holding him. This is the second time of late that I’ve missed some aspect of the endgame that wasn’t required for a correct  solution. (The other was MARSMORETONH). I must be losing my touch.
    And thanks to Duncan for explaining the wordplay for two answers that I didn’t figure out (AIOLI & ONSIDE).

  15. Triton

    …I think that’s fair comment. A tricky wordplay-only clue for a 4/5 letter word is almost inevitably going to involve some sort of subtraction, but on reflection that was probably a good reason to be more sparing with the use of the device elsewhere.

  16. Alan B

    I appreciated Triton’s comments, and I’d like to add one further thing to what I reported above, prompted by something he wrote about how and where the theme was to be discovered.

    As I indicated in my first comment I was unable to get a whiff of the theme.  Having now seen the explanations, I can safely say that I would never have discovered it.  (The same was true of Andy’s first adventure.)  For me and some other solvers there was not enough to go on.  My only possible route would have been to indulge in grid-gazing for an indefinite amount of time, keeping the cryptic hint in mind, while keeping in the back of my mind the possibitilty that one needed to spot a further hint first.

    Naturally, I read the message as a cryptic clue, but I expected to get a proper answer to that (meaning a well-formed word or phrase) and not a phrase like SO BAD E MEN, which I would not have thought of and, incidentally, was not in plain sight in the grid.  (I made ‘very wicked Eastern chaps’ into V-ILL-AINU easily enough, but that did not quite make VILLAINS.)  I find grid-gazing physically tiring anyway.  With these puzzles, I almost always take on a grid search only if I know at least the kind of thing I am looking for (a villain, for example!) – not necessarily the exact thing.

    I’ll now just echo a point I made in my own non-grumpy comment above: I appreciated this puzzle mainly because I enjoyed nearly all of the clues.  I also liked the thematic design, with particular reference to the device for extracting single letters from the Across clues.  With the majority of these puzzles the rewarding part is the completion of the crossword – the theme is a bonus, and I sometimes don’t get it.

  17. Triton

    Alan B – thank you for your positive comments both @7 and @16, which are much appreciated, and for your additional notes regarding the denouement. I think it’s time to admit that I am a notoriously bad judge of the difficulty of my own puzzles, in particular the endgames. With this and your observations in mind, further reflection leads me to believe that expecting solvers to find an interrupted sequence of individually-implied words, none of which was more than three letters long, was asking for too much of a leap. I am therefore considerably more repentant than I was yesterday 🙂

    I’m no fan of the protracted grid-stare, and I shan’t be setting any more puzzles where the solver needs to find words in the grid but has not been given directions as to either (a) where to look, or (b) pretty much exactly what to look for.

  18. Alan B

    Triton
    Thank you for your magnanimous response to my comments.
    It’s goodbye to Andy, as you said yourself, but I’m looking forward to the next Triton puzzle.

  19. Kippax

    It’s been interesting to read these comments, and many thanks to Triton for responding. My personal view is similar to others in finding the endgame a little too much of a leap (I needed prompts to get over the line). That said, I am sad to hear that this might be the last we see of Andy L – I think the concept is great fun.

  20. Terrier

    I think Triton is being too apologetic about the endgame. Like several others here, I spent ages searching the grid for somewhere (probably Yakuza-related) to insert the full name of the captive. Eventually I gave up and passed the puzzle to Mrs T, who worked out what was required within a just a few minutes. Horses for courses, I suppose.

  21. Alan B

    Terrier @20
    You have given me a cue to make a further brief point, as I had a similar thought to yours. I too would not want Triton to be too willing to neutralise the snake-bite he clearly puts into his puzzles (I have attempted three of them) just to bring them into my scope and that of some other solvers. But it’s pretty certain that any further puzzle pitched at this level in the way I have described (requiring such mental leaps and grid-staring) will again be beyond me and others.

  22. Triton

    Kippax – I think it’s quite possible that Andy will be seen again, but not in an abduction situation 🙂

  23. Kippax

    Triton@22  Thanks, and I look forward to it! I hope that things will be less stressful for Andy next time 🙂

  24. Mr A Writinghawk

    I was late to the video chat where we were going to solve this, so my team-mates were just finishing up, having done it all except explain the location (which they’d found) of ANDY. All that was left for me was to notice SO BAD E MEN, so I’m glad there was that tricky extra step.

    We really liked the narrative element of the puzzle. Triton, if you’re in repentant mood I hope you’ll repent of your promise not to have Andy kidnapped again! I’d like to look forward to his future adventures.

  25. Vismut

    I’m late, very late, to this party, but I really enjoyed this puzzle, especially the clues, it was nice not to have to wrestle with missing or extra letters for a change. I didn’t get the end game though as I was looking for the Yakuza and unable to find them came straight to 15 squared. Don’t give up on Andy it’s a fun gimmick and all your own, something to treasure.

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